Skip to main content

Role of the Performer: Andrés Segovia


Andrés Segovia 
Andrés Segovia, often acclaimed as the father of the modern classical guitar, this title underscores the extensive influence he had on the instrument. While the guitar already had a significant history, it was his brilliance that lifted it to the stature of concert hall performances, integrating it into the sphere of esteemed classical music and securing its place among other well-established instruments like the piano and violin. 
   
Andrés was born in February 1893 in Linares, Spain, and at the age of two, he went to live with his aunt and uncle. Despite studying piano and cello, he was most passionate about the guitar. At six years old, he taught himself to play the guitar, as there were no
A young Andrés Segovia 

available music instructors. At that time, the guitar was considered an inferior instrument, primarily used by street performers and café musicians. At the age of ten, he was relocated to Grenada by his aunt and uncle to pursue a better education. He took the initiative to teach himself and began to practice his music diligently. His commitment to self-education was profound as he endeavored to master the classical guitar. At 16, he made his first public debut at the Centro Artistico in Granada in 1909. Years later, he held his first inaugural professional concert in Madrid. His repertoire primarily featured Francisco Tárrega's works and his own transcriptions of J.S. Bach pieces. In the following years, he performed at numerous venues, including Madrid in 1912, the Paris Conservatory in 1915, and Barcelona in 1916. 


            Violin Partita No. 3 in E Major- Andrés Segovia's early recordings

Segovia's music served a multifaceted role. His technical brilliance aside, Segovia's performances unveiled the guitar's capacity for lyricism. He showed that the guitar could convey profound emotions, delicate nuances, and intricate musical concepts. His skill in merging technical accuracy with emotive richness established him as a conduit between the guitar's folk origins and its classical tradition stature. As an acoustic guitar enthusiast myself, I am inspired by how Segovia elevated the instrument, presenting it as complex and versatile, rather than just a casual accessory.

            Castelnuovo-Tedesco: Capricho Diabolico - Andrés Segovia, 1954

The song mentioned, despite its length, is a remarkable work that displays Andrés' versatility and profound commitment to his instrument. The composition features changes in tempo and key progressions, rendering it both deeply emotional and delightfully unpredictable. 

Segovia revolutionized the guitar's role in Western classical music and left an indelible mark on successive generations of guitarists. His legacy persists well beyond his retirement. Presently, Segovia's recordings are a benchmark for classical guitarists, and his pioneering contributions still influence the guitar's role and study within the classical music realm.


                                                                          Citations:

Who was Andres Segovia? Everything You Need to Know. www.thefamouspeople.com/profiles/andres-segovia-4614.php.


The Editors of Encyclopaedia Britannica. “Andrés Segovia | Classical Guitarist, Virtuoso, Composer.” Encyclopedia Britannica, 20 July 1998, www.britannica.com/biography/Andres-Segovia.


Jackson, Blair. “Classical Guitar.” Classical Guitar, 24 May 2017, classicalguitarmagazine.com/30-years-on-perspectives-on-the-legacy-of-andres-segovia.





Comments

  1. Hey Eva, when I think of classical music I would never think of guitars, but this has definitely opened my eyes to it. His music sounds so delicate and caring. Being able to express so many emotions with just a single instrument is truly impressive. Listening to his music has such a calming effect for me, so I think in the future I will listen to his works while doing homework. Thanks for the recommendation!

    ReplyDelete

Post a Comment

Popular posts from this blog

I am Eva - MUS Week #3

                                                                I am Eva               Hello! I am Eva. I'm originally from New England, but I have moved pretty much all over. I finally settled in Alaska in 2017, but I hope to move out eventually.  I'm here at UAF to get my associate of arts degree, but after I graduate, I plan to study criminology down in Arizona. Although Alaska has much to offer, I'm afraid it doesn't quite fit me. In the Summer, I like to get out and explore our state by going kayaking, canoeing, and rock climbing, if Summer classes and my job spare me some time:) My favorite place to go during the summer is Homer, but Hatchers Pass is a must during the fall.  Hatcher's Pass I have always had an interest in music, and I feel it started at the young age of six, when my mother signed me up for piano lessons. For almost 10 years, she would sometimes literally drag me out of the house to go. All that stopped during Covid-19, but since then I've

The Waterphone: Evolutions and Origins

Modern Day Waterphone A waterphone, or an ocean harp, is a very unique instrument. It's crafted from a metal resonating bowl with a grip in the center, and prongs along the outer rim. Water can be added to the bowl to change pitch and sound resonance. They are fairly easy to play, although it's difficult to hold melody or rhythm. They can be played either with a bow or percussively. The waterphone creates an eerie shrill hum which has been described as a "sirens song". Its distinct sound has made it be primarily used in sound effects or soundtracks, but several rock musicians have also experimented with it. I've always wanted to play the waterphone, and I love being able to hear its cry in horror movies or in background sounds.                                                                                                                     Waterphone Demonstration But how did this strange instrument come to be? In 1969, an American sculptor and painter known as 

Music and the Fictive Dream: The Phantom of the Opera

The Phantom and Christine from the 2005 Broadway Play "The Phantom of the Opera," initially penned as a gothic mystery novel by Gaston Leroux in 1909, has evolved from its modest origins into cultural phenomenon. It has inspired countless fanfictions, films, and more notably, Broadway musicals. It follows the story of the young talented Christine Daaé, who becomes the obsession of the mysterious phantom. The musical maintains much of the book's gothic and dark romantical elements, but in my opinion, it better translates the fantastical appeal of an opera.    Phantom of the Opera - 2004 The Novel was transformed into a musical by Andrew Lloyd Weber in 1988. In 2004, the musical was adapted into a film directed by Joel Schumacher, starring Emmy Rossum, Gerard Butler, and Patrick Wilson. This adaptation is among the more popular ones, and its music is what I will be sampling from. The music throughout the film is what drives the film's emotional impact. The vocals, parti